Lola receives a phone call from her boyfriend Manni. He lost 100,000 DM in a subway train that belongs to a very bad guy. Lola has 20 min to raise this amount and meet Manni. Otherwise, he will rob a store to get the money. Three different alternatives may happen depending on some minor event along Lola's run.
Audrey and Morgan, two thirty-year-old best friends in Los Angeles, are thrust unexpectedly into an international conspiracy when Audrey's ex-boyfriend shows up at their apartment with a team of deadly assassins on his trail. Surprising even themselves, the duo jump into action, on the run throughout Europe from assassins and a suspicious-but-charming British agent, as they hatch a plan to save the world.
USA in the 1970s. We follow the highly intelligent Jack through 5 incidents and are introduced to the murders that define Jack's development as a serial killer.
We experience the story from Jack's point of view. He views each murder as an artwork in itself, even though his dysfunction gives him problems in the outside world. Despite the fact that the final and inevitable police intervention is drawing ever near (which both provokes and puts pressure on Jack) he is – contrary to all logic – set on taking greater and greater chances. The goal is the ultimate artwork: A collection of all his killings manifested in a House that he builds.
Mia is 11 years old when she starts an extraordinary relationship with Charlie, a white lion cub born in the feline breeding farm of her parents in South Africa. For three years, they will grow together and have a fusional friendship. When Mia turns 14 and Charlie becomes a beautiful adult lion, she discovers the unbearable truth: her father has decided to sell it to trophy hunters. Desperate, Mia has no choice but to flee with Charlie to save him.
On the day in 1940 that Italy enters the war, two things happen to the 12-year-old Renato: he gets his first bike, and he gets his first look at Malèna. She is a beautiful, silent outsider who's moved to this Sicilian town to be with her husband, Nico. He promptly goes off to war, leaving her to the lustful eyes of the men and the sharp tongues of the women. During the next few years, as Renato grows toward manhood, he watches Malèna suffer and prove her mettle. He sees her loneliness, then grief when Nico is reported dead, the effects of slander on her relationship with her father, her poverty and search for work, and final humiliations. Will Renato learn courage from Malèna and stand up for her?
Set in a near-future world where there is no privacy, ignorance or anonymity, our private memories are recorded and crime almost ceases to exist. In trying to solve a series of unsolved murders, Sal Frieland stumbles onto a young woman who appears to have subverted the system and disappeared. She has no identity, no history and no record. Sal realizes it may not be the end of crime but the beginning. Known only as 'The Girl', Sal must find her before he becomes the next victim.
This is the story of two New York divorce attorneys (Moore, Brosnan) who are often competing against each other, but end up in a relationship nonetheless. When they get married, can they avoid the same issues at home that lead people to provide them business at work? One of the central cases in the story is the heavily-publicized divorce of a rock star (Sheen) from his wife (Posey)...
Clooney plays Dodge Connolly, a charming, brash football hero who is determined to guide his team from bar brawls to packed stadiums. But after the players lose their sponsor and the entire league faces certain collapse, Dodge convinces a college football star to join his ragtag ranks. The captain hopes his latest move will help the struggling sport finally capture the country's attention. Welcome to the team Carter Rutherford (John Krasinski), America's favorite son. A golden-boy war hero who single-handedly forced multiple German soldiers to surrender in WWI, Carter has dashing good looks and unparalleled speed on the field. This new champ is almost too good to be true, and Lexie Littleton (Zellweger) aims to prove that's the case.
A cub journalist playing in the big leagues, Lexie is a spitfire newswoman who suspects there are holes in Carter's war story. But while she digs, the two teammates start to become serious off-field rivals for her fickle affections.
As the new game of pro-football becomes less like the freewheeling sport he knew and loved, Dodge must both fight to keep his guys together and to get the girl of his dreams. Finding that love and football have a surprisingly similar playbook, however, he has one maneuver he will save just for the fourth quarter...
Cast: George Clooney, Renée Zellweger, John Krasinski, Jonathan Pryce, Stephen Root, Ezra Buzzington, John Vance, Dan John Miller
Directed by George Clooney
Unlucky in love, beautiful Charlotte 'Charlie' Cantilini (Jennifer Lopez) has finally met the man of her dreams, Dr. Kevin Fields (Michael Vartan). There's just one problem - his mother! Overbearing and controlling, not to mention volatile, Viola Fields (Jane Fonda) has recently been canned from her job as a star news anchor. Fearing she will lose her son's affections as she has her career, Viola decides to break up the happy couple by becoming the world's worst mother-in-law. Helping her with her crazy schemes is Viola's long-time assistant, Ruby (Wanda Sykes). The gloves come off when Charlie finally decides to fight back and it looks like Viola has finally met her match. Scheduled for a mid-summer 2005 release, Monster-in-Law is directed by Legally Blonde's Robert Luketic and marks Fonda's return to the big screen after a 14-year absence.
Starring: Jane Fonda, Jennifer Lopez, Wanda Skyes, Michael Vartan, Adam Scott
English language with latvian and russian subtitles.
An advice columnist, Andie Anderson (Kate Hudson), tries pushing the boundaries of what she can write about in her new piece about how to get a man to leave you in 10 days. Her editor, Lana (Bebe Neuwirth), loves it, and Andie goes off to find a man she can use for the experiment. Enter executive Ben Berry (Matthew McConaughey), who is so confident in his romantic prowess that he thinks he can make any woman fall in love with him in 10 days. When Andie and Ben meet, their plans backfire.
A couple lose their young son when he falls out the window while they have sex in the other room. The mother's grief consigns her to hospital, but her therapist husband brings her home intent on treating her depression himself. To confront her fears they go to stay at their remote cabin in the woods, "Eden", where something untold happened the previous summer. Told in four chapters with a prologue and epilogue, the film details acts of lustful cruelty as the man and woman unfold the darker side of nature outside and within.
Cast: Charlotte Gainsbourg, Willem Dafoe
Directed by Lars fon Trier
Script: Lars fon Trier
Producer: Meta Loise Foldager
A penitentiary full of felons has inspired the jailers to create a grisly pastime ripe for lucrative kickbacks. Now, adrenalized inmates, a global audience hungry for televised violence and a spectacular arena come together to form the Death Race.
Three-time speedway champion Jensen Ames is an expert at survival in the harsh landscape that has become our country. Just as he thinks he has turned his life around, the ex-con is framed for a gruesome murder he didn't commit. Forced to don the mask of the mythical driver Frankenstein-a crowd favorite who seems impossible to kill-Ames is given an easy choice by Terminal Island's warden: suit up or rot away in a cell.
His face hidden by a metallic mask, one convict will be put through an insane three-day challenge. Ames must survive a gauntlet of the most vicious criminals in the country's toughest prison to claim the prize of freedom. Driving a monster car outfitted with machine guns, flamethrowers and grenade launchers, one desperate man will destroy anything in his path to win the most twisted spectator sport on Earth.
Starring: Jason Statham, Tyrese Gibson, Joan Allen, Ian McShane, Natalie Martinez, Jason Clarke
Directed by: Paul W.S. Anderson
Written by: J.F. Lawton, Paul W.S. Anderson