On 16 February 1983, Divine performs a seven-song set at the Hacienda Club in Manchester. His peroxide blond hair sticks in all directions; he's dressed in a skin-tight, short, off-one-shoulder, sparkling dress that he says he got from the Queen, who wouldn't wear it. The set includes Gang Bang (the name-game song), Jungle Jezebel, Born To Be Cheap, Alphabet Rap, Native Love, Shake It Up, and, for an encore, Shoot Your Shot. The band, whom we never see, is techno-rock. Between songs, Divine chats up the audience, usually talking about sex.
The movie shows a young man's life dramatically changed after his friend is murdered. It is ironic - if to look with today's eyes - and nostalgia evoking portrait of marginal society and environment in the early 1990s with allusions to the western cinema - film noir related themes, surrealistic features, avantgard cinema stylization and formal aesthetics.
The morning begins when the mail is delivered - this has been a tradition for almost an eternity. This film looks at daily things, daily movements, daily life and the daily routines of the postman, which are nevertheless meaningful to those who await and receive newspapers and letters.
At a time when Soviet ideologists dictated the musical taste of Soviet people, Juris Lapinskis offered an alternative. Since the 1960s, he has shared and distributed a wide variety of Western music. Music shared by Lapinskis reached people both in Latvia and Russia. And maybe thanks to him, in the 60s and 70s, Western music idols can add thousands of former Soviet citizens to their supporters. Lapinskis himself was imprisoned and repaired. At that time there was something more than music in these tape rollers, a little more on the other side of the iron curtain - a little more air and a little more freedom.
Every night, Soviet tractors comb the coast of Latvia looking for signs of anyone who could have infiltrated the Soviet border from the sea. One morning, three Soviet patrolmen discover a woman’s shoe in the sand and footsteps leading to the quaint little village of Liepaja.
Ten years have passed since we made the film “Crossroad Street”, about a small street in the suburbs of the city of Riga. Now we’ve come back. Perhaps it was a sense of duty, perhaps nostalgia that brought us back – who knows? Perhaps it was both. Daiga, Aldis, Osis – they’re all our people. The first film had an impact on both the filmmakers and the residents of Crossroad Street. We found friends whom we want to meet again and again. Society has become more prosperous, several value systems coexist side-by-side. People often live in these systems as though they were in different worlds that never meet. We felt that the world inhabited by our people is sinking into oblivion, and so we wanted to show that it still has its own turbulence, that Crossroad Street resembles Latvia’s palm – the place where a fortune teller can see the lines of its destiny.
This taut psychological chiller tells the twisted story of Anna, a woman living in Paris, whose dreams of her Venetian counterpart, a secretive young woman who lives in a fine palace with her brother and an enigmatic older man, become frighteningly real. Anna's world begins coming apart after she is picked up by the police for witnessing an awful crime she cannot remember seeing. When she realizes that her dream alter-ego is trying to kill her, only her lover Marc's calming and supportive influence can save her from madness.