A former US Operative, who lived in Russia in his earlier years and had been married there with a child, comes out of retirement to face down a former enemy, now running as a candidate for President in modern Russia. Working with a Russian policewoman, they work to uncover a plot to use biological weapons against certain factions of the Russian people to commit genocide. The virus would also be released in other populations, but would be treated making the candidate a hero. A side plot has the agent being reunited with his long lost daughter.
The action and emotions are focused on three main characters: the little boy nicknamed Vanadziņš, his playmate, the kitten, and Vanadziņš’s father, the fisherman. Monumentally laconic, with precise, emotionally effective details; tragedy without affectation and sentimentality, it is the aesthetically the most solid of Arnolds Burovs’s films.
This tale (about a rich man stealing poor man's magic mill or magic grinder) is the first stop-motion animation film by the Riga Motion Picture Studio, created by four professional puppeteers from the Latvian Puppet Theatre and directed by Arnolds Burovs. The film constituted a successful beginning for a stable and long-standing tradition and is evidence of the intuitive skills of the filmmaker required for stop-motion animation, namely, the ability to work with precision and economy of expression.
One of the iconic Latvian movies. Based on Astrid Lindgren's book 'Emil of Lönneberga'. A story of a little boy, Emil, who, according to others is incredibly naughty, but actually Emil is a lot more kind hearted than all the rest. And everything he does is to help someone. But somehow it all the time turns out like a prank. His family won't agree with any pranks on themselves, so there goes Emil in his father's tool shed, where he's locked up for every prank. Includes the phrase - 'the main idea is to keep your feet warm', which has been adapted in Latvian culture, so it's already a saying.
Philosophical history of thirteen Ilmara living in an ordinary , but always leaving the wonderful world of childhood , where fused and love , and friendship, and hatred ...
After his family was introduced on a national TV as a "perfect family", the son Robert has a hard time confronting all the lies related to this accidental fame.
Artūrs comes back to Riga after serving in army and faces changes because of his years of absence- his girlfriend has met another man, his work in a factory in a superior position brings changes to relationships with acquaintances.